SOUNDTRACKS

1-CD
Popular / Original Soundtrack
Limited Edition
Mary Poppins Returns is an album by Marc / Scott Wittman Shaiman, released in 2018. Mary Poppins Returns includes a.o. the following tracks: “(underneath The) Lovely Sky”, “A Conversation”, “Turning Turtle”, “Trip A Little Light Fantastic” and more.

Blade Runner is an album by Vangelis, released in 1994. Blade Runner includes a.o. the following tracks: “Vangelis – Blade Runner (main Titles)”, “Vangelis – Wait For Me”, “Vangelis – Tales Of The Future”, “Vangelis – Damask Rose” and more. The album is a original soundtrack CD.

The soundtrack for the original motion picture, Babylon. The soundtrack consists of 48 score tracks by Oscar® winner Justin Hurwitz. Babylon, which contains over two hours of original music, was written and directed by Damien Chazelle. The movie is an original epic set in 1920s Los Angeles, led by Brad Pitt, Margot Robbie, and Diego Calva.

Greatest Showman Reimagined is a compilation of original soundtrack tracks released as on 14 Mar 2019.

Stranger Things: Music From The Netflix Original Series is a compilation of 30 original soundtrack tracks released as CD on 3 Nov 2017. Stranger Things: Music From The Netflix Original Series includes a.o. the following tracks: “Stranger Things (dialogue) – Intro – Will Singing The Clash”, “The Clash – Should I Stay Or Should I Go”, “Duran Duran – Girls On Film”, “Stranger Things (dialogue) – Just Because People Tell You…” and more.

PIOMBO paints a ‘picture in sound’ of The Years of Lead (1973–1981), a controversial period when the escalation of political violence and terrorism in Italy reached its climax. Italian cinema documented this season with Polizieschi (aka Spaghetti Crime Films / Poliziotteschi / Euro Crime): a genre that, drawing from the French Polar tradition and American Blaxploitation, encompassed thrill and action (but also comedy and drama) in a whirlwind of breath-taking car chases, heists, kidnaps, gunfights, political terror attacks, and brutal violence.

Polizieschi’s soundtracks were tense, aggressive and hallucinated: they embraced balaclava-clad Blaxploitation sound where brass-led themes were laid on a sonic bed made of propulsive bass lines, haunting drum beats, wah wah guitars, latin percussion highlights, and epic strings nodding to disco. The sound of the collection is various and tremendously contemporary (this genre was sampled by the likes of Madlib and synched by Quentin Tarantino): its core is American jazz-funk, with episodes of acid progressive rock (“Il grande racket”, composed by the De Angelis brothers, Guido and Maurizio, for Enzo G. Castellari’s masterpiece), synth-infused disco music of Stelvio Cipriani (“Body Guard”, one of the 9 previously unreleased treasures of this compilation), electronic music and more.