A1 Street Fighting Man
Piano – Nicky Hopkins
Shenai – Dave Mason
Tambora [Tamboura] – Brian Jones (5)
A2 Gimme Shelter
Percussion – Jimmy Miller
Piano – Nicky Hopkins
Vocals – Merry Clayton
A3 (I Can’t Get No) Satisfaction
A4 The Last Time
Piano – Ian Stewart
A5 Jumpin’ Jack Flash
Piano – Ian Stewart
B1 You Can’t Always Get What You Want
Arranged By [Choir] – Jack Nitzsche
Backing Vocals – Doris Troy, Madelaine Bell*, Nanette Newman
Choir – The London Bach Choir*
Drums – Jimmy Miller
Percussion – Rocky Dijon
Piano, French Horn, Organ – Al Kooper
B2 19th Nervous Breakdown
Piano – Ian Stewart
B3 Under My Thumb
Marimba – Brian Jones (5)
Piano – Ian Stewart
B4 Not Fade Away
Harmonica – Brian Jones (5)
Written-By – Hardin*, Petty*
B5 Have You Seen Your Mother Baby? (Standing In The Shadow)
Piano – Ian Stewart
C1 Sympathy For The Devil
Backing Vocals – Anita Pallenberg, Bill Wyman, Brian Jones (5), Charlie Watts, Marianne Faithfull, Nicky Hopkins
Bass – Keith Richards
Congas – Rocky Dijon
Maracas – Bill Wyman
Piano – Nicky Hopkins
C2 Mother’s Little Helper
C3 She’s A Rainbow
Arranged By [Strings] – John Paul Jones
Piano – Nicky Hopkins
C4 Get Off Of My Cloud
Piano – Ian Stewart
C5 Wild Horses
Piano – Jim Dickinson
D1 Ruby Tuesday
Double Bass [Bowed] – Bill Wyman
Recorder, Piano – Brian Jones (5)
D2 Paint It, Black
Sitar – Brian Jones (5)
D3 Honky Tonk Women
Backing Vocals – Nanette Newman
Cowbell – Jimmy Miller
Piano – Ian Stewart
D4 It’s All Over Now
Piano – Ian Stewart
Written-By – B Womack*, S Womack*
D5 Let’s Spend The Night Together
Bass – Keith Richards
Piano – Jack Nitzsche
E1 Start Me Up
E2 Brown Sugar
Piano – Ian Stewart
E3 Miss You
Electric Piano – Ian McLagan
Harp – Sugar Blue
Saxophone – Mel Collins
E4 Beast Of Burden
E5 Don’t Stop
Bass – Darryl Jones
Keyboards – Chuck Leavell
Mixed By – Bob Clearmountain
F1 Happy
Drums – Jimmy Miller
Lead Vocals – Keith Richards
Piano – Nicky Hopkins
Trumpet, Trombone – Jim Price
F2 Angie
Arranged By [Strings] – Nicky Harrison
Piano – Nicky Hopkins
F3 You Got Me Rocking
Backing Vocals – Bernard Fowler, Ivan Neville
Bass – Darryl Jones
Mixed By – Don Smith
Piano – Chuck Leavell
F4 Shattered
Bass [O/d Bass Drum] – Ron Wood
Piano – Ian Stewart
F5 Fool To Cry
Electric Piano – Mick Jagger
G1 Love Is Strong
Backing Vocals – Bernard Fowler, Ivan Neville
Bass – Darryl Jones
Mixed By – Don Smith
Piano – Chuck Leavell
G2 Mixed Emotions
Backing Vocals – Bernard Fowler, Lisa Fischer, Sara Dash*
Brass – Kick Horns*
Percussion – Luis Jardin*
Piano, Organ – Chuck Leavell
G3 Keys To Your Love
Bass – Darryl Jones
Keyboards – Chuck Leavell
Mixed By – Bob Clearmountain
G4 Anybody Seen My Baby?
Backing Vocals – Bernard Fowler, Blondie Chaplin
Bass, Keyboards – Jamie Muhoberac
Electric Guitar, Acoustic Guitar – Waddy Wachtel
Keyboards – Don Was
Mixed By – Tom Lord-Alge
Shaker – Blondie Chaplin
G5 Stealing My Heart
Bass – Darryl Jones
Keyboards – Chuck Leavell
Mixed By – Bob Clearmountain
H1 Tumbling Dice
Backing Vocals – Clydie King, Vanetta*
Bass – Mick Taylor
Drums [Additional Drumming] – Jimmy Miller
H2 Undercover Of The Night
H3 Emotional Rescue
Bass – Ron Wood
Electric Piano – Mick Jagger
H4 It’s Only Rock ‘n’ Roll
Backing Vocals – Ron Wood
H5 Losing My Touch
Bass – Darryl Jones
Keyboards – Chuck Leavell
Lead Vocals – Keith Richards
Mixed By – Bob Clearmountain
ROLLING STONES – FORTY LICKS (4LP VINYL)
SKU: 602455771384Out of stock
82,95€
Out of stock
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ROLLING STONES – AFTERMATH (UK) (LP VINYL)
INTERNATIONAL , INTERNATIONAL, MUSIC, MUSIC, NEW RELEASES, VINYLS, VINYLSROLLING STONES – AFTERMATH (UK) (LP VINYL)
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Released in April 1966 by Decca Records, Aftermath was the Rolling Stones’ fourth British studio album. It was issued by London Records in the US in June 1966. Recorded at the RCA Studios in California, it was their first album released in true stereo.It is also one of the first ‘popular’ albums to eclipse the 50-minute mark, and contains one of the earliest rock songs to exceed 10 minutes (the blues jam Goin’ Home). The album’s release was briefly delayed by controversy over the original packaging idea and title – Could You Walk on the Water? – due to London Record’s fear of offending Christians in the US.
The album was considered an artistic breakthrough for the band, being the first to consist entirely of Jagger–Richards compositions, (after their maverick young manager, Andrew Loog Oldham, had shut them in the kitchen of their flat until they had written some more original songs!).
It also featured strongly the immaculate guitar work of Brian Jones and the remarkably wry, observant song-writing of Jagger–Richards.
The American edition was issued with a shorter track listing, substituting the single Paint It Black in place of four of the British version’s songs, in keeping with the industry preference for shorter LPs in the US market at the time.
SKU: 018771863717 -
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ROLLING STONES – BETWEEN THE BUTTONS (LP VINYL)
INTERNATIONAL , INTERNATIONAL, MUSIC, MUSIC, NEW RELEASES, VINYLS, VINYLSROLLING STONES – BETWEEN THE BUTTONS (LP VINYL)
Reissue, High Quality
Released in the UK in January 1967 by Decca Records and February by London Records in the US – Between The Buttons was the Stones’ fifth British and seventh US studio album. Released as the follow-up to Aftermath, this album marked a high point in the band’s career, continuing their ventures into psychedelia and baroque pop balladry, it is among the band’s most musically eclectic works. Brian Jones sidelined his guitar on much of the album, instead playing a wide variety of other instruments including organ, marimba, vibraphone, and kazoo. Piano contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor and studio legend Jack Nitzsche. It was the last album produced by Andrew Loog Oldham, the band’s manager and producer of all of their albums to this point. The album has one of the most striking sleeves of the period, featuring a classic Gered Mankowitz image on the cover. The photo shoot took place at 5:30 in the morning following an all-night recording session at Olympic Studios. Using a home-made camera filter constructed of black card, glass and Vaseline, Mankowitz created the effect of the Stones dissolving into their surroundings – according to Mankowitz…“to capture the ethereal, druggy feel of the time; that feeling at the end of the night when dawn was breaking and they’d been up all night making music, stoned.”
The songs continued Aftermath’s lyrics of acute social observation and savage insight, their earlier raw, rootsy power enhanced by other influences of the period – notably The Beatles, The Kinks, and again Dylan. It is one of their strongest, most varied LPs, with many great songs that remain unknown to all but Stones devotees. The inventive arrangements and innovative instrumentation on brooding near-classics like All Sold Out, My Obsession and Yesterday’s Papers brought a new dimension to the music. She Smiled Sweetly shows their hidden romantic side at its best, Connection is one of the record’s few pieces of more conventional driving rock and album closer Something Happened To Me Yesterday includes Keith’s first solo vocal. The US version includes contemporaneous hits – the two songs that gave the group a double-sided number one in early 1967: the shameless and controversial Let’s Spend The Night Together and the beautiful, melancholy Ruby Tuesday.
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