3-LP
Rock
The Rolling Stones embarked on the Licks World Tour in 2002 & 2003 to celebrate their 40th anniversary, featuring the band performing in arenas and stadiums, in addition to the occasional theater. In November 2002, the Stones arrived in Los Angeles to perform at a packed Wiltern Theatre, treating fans to a set heavy on rarities which feel right at home in such an intimate setting. While some of the hits are performed, this night at the Wiltern is for the rarely played classics, including “Stray Cat Blues”, “No Expectations” and a cover of “Everybody Needs Somebody To Love” featuring a guest spot by the legendary Solomon Burke, who opened the show that night.
THE ROLLING STONES – LIVE AT THE WILTERN (3LP VINYL)
SKU: 602455509208Only 2 left in stock
– 1 –
1. Jumpin’ Jack Flash
2. Live With Me
3. Neighbours
4. Hand of Fate
5. No Expectations
6. Beast of Burden
7. Stray Cat Blues
– 2 –
1. Dance, Part 1
2. Everybody Needs Somebody To Love
3. That’s How Strong My Love is
4. Going To a Go-Go
5. Thru and Thru
6. You Don’t Have To Mean It
– 3 –
1. Can’t You Hear Me Knocking
2. Rock Me Baby
3. Bitch
4. Honky Tonk Women
5. Start Me Up
6. Brown Sugar
7. Tumbling Dice
62,95€
Only 2 left in stock
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Released in the UK in January 1967 by Decca Records and February by London Records in the US – Between The Buttons was the Stones’ fifth British and seventh US studio album. Released as the follow-up to Aftermath, this album marked a high point in the band’s career, continuing their ventures into psychedelia and baroque pop balladry, it is among the band’s most musically eclectic works. Brian Jones sidelined his guitar on much of the album, instead playing a wide variety of other instruments including organ, marimba, vibraphone, and kazoo. Piano contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor and studio legend Jack Nitzsche. It was the last album produced by Andrew Loog Oldham, the band’s manager and producer of all of their albums to this point. The album has one of the most striking sleeves of the period, featuring a classic Gered Mankowitz image on the cover. The photo shoot took place at 5:30 in the morning following an all-night recording session at Olympic Studios. Using a home-made camera filter constructed of black card, glass and Vaseline, Mankowitz created the effect of the Stones dissolving into their surroundings – according to Mankowitz…“to capture the ethereal, druggy feel of the time; that feeling at the end of the night when dawn was breaking and they’d been up all night making music, stoned.”
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