180g
2-LP
Rock
High Quality
Welcome To Shepherds Bush by The Rolling Stones, released 6 December 2024.
This version of Welcome To Shepherds Bush comes as a 2xLP.
Only 1 left in stock
A1 Shattered 4:19
A2 It’s Only Rock ‘N’ Roll (But I Like It) 5:38
A3 Respectable 3:19
A4 All Down The Line 4:09
A5 Some Girls 4:52
B1 Melody 5:34
B2 I Got The Blues 3:27
B3 Brand New Car 4:48
B4 Moon Is Up 4:58
C1 Saint Of Me 6:04
C2 Honky Tonk Women 4:25
C3 Band Introductions 3:58
C4 You Got The Silver 4:11
C5 Before They Make Me Run 3:33
D1 Route 66 3:05
D2 You Got Me Rocking 3:25
D3 Tumbling Dice 4:24
D4 Brown Sugar 5:51
D5 Jumpin’ Jack Flash 5:11
46,95€
Only 1 left in stock
180g
2-LP
Rock
High Quality
Welcome To Shepherds Bush by The Rolling Stones, released 6 December 2024.
This version of Welcome To Shepherds Bush comes as a 2xLP.
Coloured Vinyl, Rsd, Limited Edition
The Rolling Stones (UK) by The Rolling Stones, released 20 April 2024.
This version of The Rolling Stones (UK) comes as a 1xLP.
The vinyl is pressed as a swirl, black & blue disc.
– 1 –
1. Jumpin’ Jack Flash
2. Live With Me
3. Neighbours
4. Hand of Fate
5. No Expectations
6. Beast of Burden
7. Stray Cat Blues
– 2 –
1. Dance, Part 1
2. Everybody Needs Somebody To Love
3. That’s How Strong My Love is
4. Going To a Go-Go
5. Thru and Thru
6. You Don’t Have To Mean It
– 3 –
1. Can’t You Hear Me Knocking
2. Rock Me Baby
3. Bitch
4. Honky Tonk Women
5. Start Me Up
6. Brown Sugar
7. Tumbling Dice
Reissue, High Quality
Released in April 1966 by Decca Records, Aftermath was the Rolling Stones’ fourth British studio album. It was issued by London Records in the US in June 1966. Recorded at the RCA Studios in California, it was their first album released in true stereo.
It is also one of the first ‘popular’ albums to eclipse the 50-minute mark, and contains one of the earliest rock songs to exceed 10 minutes (the blues jam Goin’ Home). The album’s release was briefly delayed by controversy over the original packaging idea and title – Could You Walk on the Water? – due to London Record’s fear of offending Christians in the US.
The album was considered an artistic breakthrough for the band, being the first to consist entirely of Jagger–Richards compositions, (after their maverick young manager, Andrew Loog Oldham, had shut them in the kitchen of their flat until they had written some more original songs!).
It also featured strongly the immaculate guitar work of Brian Jones and the remarkably wry, observant song-writing of Jagger–Richards.
The American edition was issued with a shorter track listing, substituting the single Paint It Black in place of four of the British version’s songs, in keeping with the industry preference for shorter LPs in the US market at the time.